"She has no secrets from me. That is why I have dyed my hair, that is why I have abandoned my rôle of ingenuèe and altered my whole style of dress. She could still remember his face, the perpetually wet lips that turned down at the sides, his drooping Roman eyes. Every one of those four stories would be accepted. But Mr Jarvis said as how Miss Mary not having no brothers and sisters like, it were good to have friends. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Fly! they shall knock me on the head—curse 'em!—before they shall touch you. “Well anyhow—I don’t see the force of your objection, you know. ’ ‘But I can’t leave you, miss.
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