Kneebone's habitation, the shutters of which were closed, and knocked at the door. The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. At this time of universal havoc and despair,—when all London quaked at the voice of the storm,—the carpenter, who was exposed to its utmost fury, fared better than might have been anticipated. ‘Well, this maid,’ went on Kimble eagerly, ‘and me, we gets to talking, see, and that’s how I knew he were off to this party. Wood entered the room, followed by Thames.
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