Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. We find out no man will treat a woman fairly as man to man—no man. It's only a gentleman come to offer you his hand. "Well, how goes it?" he asked. "He never let me keep a dog or a cat about the house. It hit her just above the knee. “I feel shabby and disgraced. “We don’t want things to happen!” Never had he shown his daughter so clearly that the womenkind he was persuaded he had to protect and control could please him in one way, and in one way only, and that was by doing nothing except the punctual domestic duties and being nothing except restful appearances.
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